Summer Festival Screenings Schedule

Saturday 23 Sunday 24
Sgt. Frog 11:00 Kodocha 2:00
Fruits Basket 12:00 Lucky Star 3:00
xxxholic 12:30 Ouran Host Club 4:00
Save Me Lollipop 1:30 MoonPhase 4:30
Lucky Star 2:00 Chobits 5:00
Oh Edo Rocket 2:30 K-on 5:30
Full Metal Panic Fumoffu 3:00 Summer Wars 6:30
Beck: Mongolian Chop Squad 3:30 Intermission 8:30
The Melancholy of Haruhi Suzumiya 4:00 Baka & Test 9:00
School Rumble 5:00 Strike Witches 9:30
Burst Angel 5:30 My Bride is a Mermaid 10:00
Mob Rules 6:00 Negima 11:00
Mob Rules 11:30
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Saturday Anime Club

Thanks to all who came  to our anime club meeting on 7/16 and special thanks to Tristan MacAvery for stopping by.

This is what we watched:

Baka & Test

Tower of Druaga

009-1

Tsubasa

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Buy Pre-Sale Tickets for the 2011 Fall Festival!

The number one question we’ve been getting lately is “When are tickets going to be available for the fall Festival?” The answer is RIGHT NOW!

We’ve got a ton of great stuff planned for our annual Anime Syracuse Festival! Join us at the Art and Home Center at the New York State Fairgrounds for a full day of fun. We’ve got a some great guests lined up, exciting new events and panels and a ton of great anime to share.

By buying early you’ll be saving some green to spend at our vendors and artists. Tickets are $20 at the door, but only $18 if you buy early. Just fill in the form below and click buy now to buy with any major credit card through Paypal.

Please note, nothing will be sent to your home. Your badges to the event will be waiting at the door. Please bring a copy of your paypal email confirmation to the door.

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Moe Picture of the Week

Akari and President Aria from Aria.

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If You Like…

This is a list of similar manga and anime titles.  The idea is if you like one of these then you should check out the rest.

For this first “If You Like…” the focus is on 4koma.  4koma is a manga style in which the stories are told in 4 panel blocks.  Most are character focused, with quick one-liners, and zen-like, maybe non-existent plots. A few 4komas have reached the heights of popularity, but many are hidden in obscurity.  Let’s try and rectify this.

Note: Most 4koma is about day-to-day life so the descriptions are short as there is not much to describe without introducing the entire cast.

  Lucky Star: The most popular of this genre.  Originally following 4 high school girls, the cast has now grown as the girls have graduated and are off to college.

AzuManga Daioh: The original high school 4koma. This really started all the others. K-on: The adventures and friendships of 4 high school girls in the “light music” club. The current reigning queen of this style.

S.S. Astro: If you ever wondered what would happen to all those 4koma girls if they grew up, then welcome to S.S. Astro.  In this manga the main characters are the teachers not the students.

Ichiroh!:  After failing their entrance exams Nanako and Akane move into a dorm/shrine to take prep classes.  If you’re tired of high schools, then graduate to the world of Ichiroh!

G.A. Geijutsuka Art Design Class: Follows a high school art class. Art is discussed in a very technical and real way. A must for aspiring artists.

Sunshine Sketch (Hidamari Sketch): follows 4 students who attend an art school and live in the same dorm. Not as technical as G.A., with a greater focus on day-to-day instead of art.

Sketchbook: More female art students.  This one tends to focus more on the little things in life.

Shoulder-a-Coffin Kuro: 4koma with a plot. This follows the adventures of a traveler called Kuro, her bats, and two small odd children as they try to find a mysterious witch.  (This also has a similar feel to Kino’s Journey and Mushishi.)

A Channel: For all those that want more Lucky Star, A Channel is the next best thing. Keep an eye on this one as it may be the next big anime/manga in this genre.

Choir!: (18+ Adult) Follows the story of an otaku girl and her friends in a religious high school.

Kanamemo: Follows the stories of the girls who live and work in a newspaper carrier service.

Potemayo: follows the story of male junior high student, Sunao Moriyama, and the cute creature he found in his fridge, Potemayo.  He names her Potemayo after potatoes and mayonnaise. Other characters include Sunao’s classmates and another refrigerator being called Gunchuko.

Suzunari: Kaede Takamura wakes up one day to find out she has a twin; a twin with cat ears and a tail.

Hetalia: Axis Powers: Ignoring the fandom- this 4koma anthropomorphizes the countries of the world, taking a romp through history. Moe for girls.

Doujin Work: (18+ Adult) Follow those that work and live for doujin.

B-Gata H-Kei: (18+ Adult) A perverted high scool girl, Yamada, wants to experience love and romance. Since she is inexperienced and shy, she decides to make nerdy and awkward Takashi Kosuda her test subject.

Nichijou (My Ordinary Life): While not actually a 4koma, the style and subject are similar enough to the day in the life of high school girls’ story-line that it will be enjoyed just as much.  Caution Nichijou is surreal and insane.

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Moe Picture of the Week

Something from Persona 3.

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FanBoy/Girl Japanese Lesson #2


I am not sulking!

Sunetenai yo!

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History of Anime in America (part 3) – The Beloved

To talk about the 90’s and anime in America, we must take a small detour from Japanese produced animation.  In 1987, on the sketch comedy program The Tracey Ullman Show, the dysfunctional family cartoon called The Simpsons debuted.  The Simpsons was so popular it went on to its’ own series, eventually becoming the world’s most popular and influential animated show.   So popular is this show that its’ idioms can only be rivaled by the Bible and Shakespeare, propelling catchphrases like “doh” into the Oxford English Dictionary.

More important to anime fans, however, is The Simpsons influence on the medium of animation.  The Simpsons proved that cartoons can be for adults and in the early 90’s a wave of American animation exploded onto television.  Shows like: Ren & Stimpy, Beevis & Butthead, The Maxx, Spawn, and Liquid Television’s Aeon Flux.  So great was the demand for this types of show that, Cartoon Network, a channel dedicated solely to animation was created and other networks created large time slots for animation such as: Nickelodeon’s  Nicktoons, HBO, and MTV.   The masses accepted animation and publicly recognized anime as a medium.  Anime was no longer just for kids and nerds.

The anime created during this period is some of the most known and beloved anime.  Anime like, Neon Genesis Evangelion, Slayers, and Cowboy Bebop bred a new type of fan and shows like Ranma ½ and Dragonball Z moved the genre away from just Sci-fi/fantasy.   Films like, Ghost in the Shell and Princess Mononoke gained critical acclaim, awards, and big budgets.

Fans became diehard.  They fell in love with these shows, turning them into classics and they fought for these shows.  The” Save Our Sailors campaign” brought Sailor Moon back to television (If you doubt the influence of Sailor Moon, then just ask any female anime fan over 20 about its’ importance) and Pokemon, the game and its’ anime, brought kawaii (cute) to every high school classroom.

The 90’s was a new wave for anime in America, bringing back classics (Speed Racer-yet again), creating new genres (like Magical Girl and Gender Bending), and spawning a renewed interest in this Japanese style.  Soon anime would not be alone as the next decade brought with it a love of manga and Japanese culture and the internet connected fans on another level.

Next time: The Naughts and the birth of now.

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Anime Club 6/11/11

Thank you to all who showed up for our Anime club meeting.  Here’s what we watched:

Voltron

K-on

Revolutinary Girl Utena

Antique Bakery

Sgt Frog

Burst Angel

Astro Boy

If you missed it, I hope you can make it next Month.

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History of Anime in America (part 2)- Golden Years

Actually seeing anime and differentiating it from American animation, before the 1980′s had been rare.  There simply wasn’t enough of it to make it its own genre, but during the 1980′s anime became its own genre, finally separating itself from American animation. The 1980′s became know as the “Golden Years.” Many may be surprised at this, expecting the 90′s to be more prosperous, but during the 80′s more anime was released in the US than ever before or since and the reason for this can be traced to three factors.

Factor one was a return to commercially targeting kids.  Advertisers started following Ray Kroc’s and Disney’s model of advertising, targeting to kids to reach their parent’s wallets.  The idea was that kids were easier to convince and when they wanted something, they would be far more convincing to their parents than any ad could be. Advertisers need places to run their ads and so kid friendly content was needed.  For quite a while, in the US, animation was considered to be youth oriented medium (In reality most early American animation was actually targeted toward adults) and therefore a surge was animation was created, redistributed, and imported to create this content. Even anime from earlier decades returned, reintroducing Astro Boy and Speed Racer to a new generation.

The second factor started, in 1977, with Star Wars.  The Star Wars film’s succsess caused producers to become obsessed with capitalizing on the science fiction boom and they found a treasure chest of space opera anime from Japan. In 1978, shows like Battle of the Planets (AKA Science Team Ninja Gatchaman and later G-Force), Space Battleship Yamato, and Mobile Suit Gundam appeared on television.  Their influce continued into the 80′s, as shows like Robotech, Saber Riders and the Star Sheriffs, Tekkaman the Space Knight, Force Five, Voltron, and, the American written and Japanese animated, Transformers earned succsess.

The third and probably most important factor was the availability of the VCR. Anybody could watch what they wanted, when they wanted, inside their own home. For those born after this time, it may be hard to imagine just how limited your viewing options were. The VCR gave people choices and those that were on more of the fringe of entertainment could finally get the movies and shows that they wanted. Companies could also take less of a risk in importing anime, being able to make money off a minority without using much cost. Works by Hayao Miyazaki and series like Dragonball quickly gained a following do to this new technology.

While the most productive time for anime, the genre itself was not a household name. For those that were not film fanatics or anime fans, those that saw the 80′s as a time for John Hughs and Micheal J. Fox, anime was not recognized. That is until 1988. In 1988, the anime film Akira came out in America. The film gained critical praise and suddenly even those that ignored animation, knew what anime was.  Akira’s influence started a new wave of in America bringing forth some of the most memorable animes to come.
Next time: the 90′s and the new legacy of anime.

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